Andrew Lessman is a drummer lurking the LA underground, noted for his contributions to a wide range of projects in the jazz, indie pop, and avant garde scenes. TEETHERS is the vehicle for his book of compositions.
Andrew grew up in a suburb of Chicago called Elgin with a single mom who worked as a dental hygienist. He started off playing trombone in the middle school band and listening obsessively to Q101 (“Chicago’s Home for Alternative”). At age eleven, after making fart noises on a rented trombone for a year, he received a $200 Hohner drum kit as a birthday reward and formed a Nirvana cover band with his buddy Jim. It was a good start, but at age thirteen everything changed. His mother was lost to cancer, and it was decided that he and his sister would leave Illinois to go live with his jazz musician father in San Diego. It was a painful loss, but embedded in this new situation was an opportunity to grow. On the first day of high school, he made friends with some punks on the quad who’d also just gotten instruments, and they started a band called The Irrelevants. They wore ugly homemade clothing, hated the government, smoked weed out of apples, and learned the art of booking DIY shows. At the same time, his dad was a pro gigging musician and his home was a constant hangout for many of the great players in the San Diego scene. His dad’s record collection faced him with the confounding sounds of Miles’ “Kind of Blue”, Ornette’s “Shape of Jazz to Come”, Coltrane’s “Giant Steps”, and Art Blakey’s “Freedom Rider”. The depth of that music began to take hold, and within a year of obsessively drumming along to those records on the same $200 Hohner kit, he started sitting in at his dad’s gigs, booking gigs of his own, and picking up lessons from local legends like Charles McPherson and Dave Pike. One of his dad’s friends, drummer and educator Duncan Moore, decided he would benefit from attending UCSD’s summer jazz camp, so he pulled a few strings to squeeze him in last minute. Since lessons with the drum faculty were already full, he was given a lesson with Wadada Leo Smith, the iconoclast composer and trumpeter who in the 1960s helped start the AACM (Association for the Advancement of Creative Musicians). From this very first meeting, he permanently tweaked Andrew’s brain by advising him to think beyond rhythm, melody and harmony in order to use musical form as an expressive tool. Andrew spent the next year at Interlochen Arts Academy, which is a boarding school in northern Michigan, and ended up following Wadada thereafter to the California Institute of the Arts in Los Angeles.
It was there that he met the players who comprise the group TEETHERS. Prior to recording their eponymous debut EP, the group honed its sound over the course of years, working to develop a pure group expression, undiluted by deadweight genre tropes.
Aside from TEETHERS, Lessman enjoys recording and performing with his pals in LA, and has toured Europe and the Americas with the likes of Beth Morrison Productions, The Wedding Present, the Vinny Golia Sextet, Simone White and others.